The properties of more than one clip can be edited collectively in the Clip View as a multi-selection.
In the Session View, clicking on a Track Status Field opens the Clip View for editing the clip that is currently running in the track.Ĭlicking a Session View Track Status Field Opens the Clip View.
This allows you to, for example, dedicate one window to detailed clip editing while using the other window for your work in the Session or Arrangement. Tip: single-clicking a clip will show that clip in the Clip View, but will not move the Clip View from its current window. To switch the Clip View to the other window, press Shift- Tab. If you’re using dual monitors, the Clip View will open in the same window you just clicked. Live will remember the Clip View arrangement when you open it again in the future.Ĭlicking on the Clip Overview or double-clicking a clip in the Session or Arrangement View opens the Clip View.Ĭlicking the Clip Overview Opens the Clip View. To change views automatically, you can select “Arrange Clip View Panels Automatically” from the View menu or from the title bar’s right-click(Win) / CTRL- click(Mac) context menu. To arrange Clip View vertically, drag the right edge of the Clip View panel (next to the Sample Editor/MIDI Note Editor) to the left drag it to the right to switch back to horizontal arrangement. The Clip View with Clip Tabs Arranged Horizontally.Ĭlip View properties can be arranged horizontally in tabs, vertically in panels, or automatically (switching between the horizontal and vertical views depending on the height of the Clip View area). We have competent singers so 99.99% of the time, the tuning corrects a slightly sharp or flat note to the desired pitch.The Clip View is where clip properties can be set and adjusted. We’ve kept ours in the chromatic mode, which will correct the pitch to the closest chromatic note. Any further tinkering is all to need or taste. You can set them to anything you want, but we’ve found that the default settings already sound pretty natural. Once your in the settings, you can play with everything from the tuning mode to the speed of the note transition. Now you can modify your pitch correction for your desired effects Once it’s open, hit the ‘wrench’ icon to open up your settings Go into the Ableton Plug-Ins tab and drag Waves down into the screen Now that you’ve made sure all of your channels and routing are correct, you’re ready to dive into Waves. Once you’ve done that in the preferences, the signals will go back through the Dante Network and into the console It will give you access to all of the inputs/outputs, and you can modify which channels you want You’ll be able to see the Dante Sound Card plug-in in Ableton
Ableton pitch correction series#
Series will be helpful if you don’t already have some of this gear. I’ll go more in-depth in the next section, but the Ultimate Guide to Worship Tech 3-pt. I’m going to give you a brief overview of the gear you’ll need to set up auto-tune. A part of gospel-centered worship is crafting the best ministry we can and we believe that auto-tune has a place in that vision. Not everyone sings perfectly on pitch all the time and auto-tune is able to take those small inconsistencies and correct them in a natural, non-artificial sounding way. It can ‘tune’ them up to make dense, difficult harmonies that much better. Auto-tune is just a tech-savvy way of eliminating small mistakes or distractions. We’re all for excellence in worship, and we encourage our band to practice and be the best that they can. We know that auto-tune can be a divisive issue, but here are a couple things to keep in mind:Īuto-tune should never be used to compensate for poor singingĪuto-tune is not, and should not be used to ‘make up’ for wildly incorrect pitches, it is only there to give that extra push if necessary.
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